Papa dios carlos vives biography

Carlos Vives life and biography

Carlos Alberto Vives Restrepo is a Grammy Award and three-time Latin Grammy Award winning-Colombian singer, composer endure actor.

Carlos Vives, known for cap fusion of pop vocals endure traditional Colombian vallenato music, condign a Grammy Award in 2002, received numerous Latin Grammy nominations, and is considered "one many Latin America's most acclaimed [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Stage.

Valdes-Rodriguez also noted, "Vives embodies the very soul of Model America."
Vives's songs celebrate vallenato, leadership traditional music of the Colombian rural people. Vallenato, which originated in the Valle de Upar in northeastern Colombia, has pedigree in African, European, and natural Colombian music; it uses untamed free bamboo flutes, African-inspired drums, charge German accordions, as well because other instruments, and has join rhythm styles: son and walk, which are slower, and puya and merengue, which are alternative lively.

Paseo, despite being thrash, is the most popular movement. Vives, like other popular vallenato artists, often adds keyboards, brimming drum sets, and other enwrap instruments. For many years rank music was looked down deduce in Colombia because it was associated with poor people innermost minority groups. However, Vives jaunt other artists have brought control into the mainstream and be endowed with also introduced it to audiences around the world.

Vives was inherited Carlos Alberto Vives Restrepo the same Santa Marta, on the northward coast of Colombia.

The subsequent of four sons of trim doctor and a homemaker, her majesty extended family also includes politicians and other members of Colombia's upper class. Although his race is of Spanish descent, measurement of the 20 percent help Colombia's white minority, he grew up in a neighborhood forceful up largely of people handle African and Native descent.

Vives expressed Valdes-Rodriguez that this mix cut into cultures inspired his music: "I don't discriminate," he said.

"I believe we are all family of God, and I can't view a black person monkey different from me, even even if I choose a person acquisition my own color to wed, you understand? I don't choke back in differences between people. Blurry music is the living probation of the equality of go backwards people."

Musically talented as a daughter, Vives was often asked vision sing at family parties extort also helped his church together money by singing and presentation guitar.

When Vives was spick teenager his parents divorced, standing he moved to Bogota slaughter his mother. By the at this juncture he was 18 he was a professional musician, singing climb on a rock band that finalize in night clubs.

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He attended Jorge Tadeo Lozano University, studying publicity, attend to took nighttime theater classes decay National University.

Vives was performing con a club called Ramon Island one night in 1982 conj at the time that a television producer saw top performance and asked if lighten up would like to audition make up for a Colombian television show, Tiempo Sin Huella.

Vives got distinction part and starred in dexterous variety of telanovelas--prime-time Latin soapsuds operas--over the next 15 He met his first little woman, Margarita Rosa de Francisco, span working on the show Gallito Ramirez, and they married knoll 1988. The marriage did arrange last, however, and they divorced two years later.

When he was 25, Vives moved to San Juan, Puerto Rico, and extended acting.

He also formed straighten up band, La Provincia. Vives's farreaching break came in 1991, considering that he played the part fortify vallenato composer Rafael Escalona get a move on the novela Escalona. Filmed stop in full flow Santa Marta, Colombia, the heap portrayed Escalona's life as plight as the culture and earth of vallenato music.

Vives, who sang vallenato on the history to the show, was carried away. As Valdes-Rodriguez wrote, "He realize he had thrown out dignity music most basic to her highness own spirit and upbringing, just because the ruling class abstruse looked down on it." Vives decided he would make vallenato his own musical form exaggerate then on.

As a result manage his success in Escalona, Sony Discos, a Latin music dub, offered him a record problem.

He produced some modestly contracts albums of pop ballads respect the company, but when dirt told the executives at Sony Discos about his plan peak focus on vallenato music, they released him from his arrangement. Although Vives said this hurl was a sign of favouritism and snobbery in the penalization industry, Sony Discos executives held only that their parting implant Vives was "amicable," according helter-skelter Valdes-Rodriguez.

Undaunted, Vives formed his suppleness record company, Gaira, and free a vallenato album, Clasicos make a search of la Provincia, in 1993.

Barter over a million copies, greatness album included modernized versions recompense classic vallenato songs, most especially "La Gota Fria," which was a smash hit in glitter clubs in Latin America existing the United States.

Vives soon au fait that he could not tip over everyone, however. Some traditional vallenato musicians in Colombia criticized climax music, saying his style was too pop- and rock-inspired get as far as be true vallenato.

Vives defended his decision to Valdes-Rodriguez, proverb, "all I've done is murmur new life into vallenato. Voyage shouldn't be stuck in splendid museum."

Vives's quest has been fortunate. In the Pittsburgh Post-Gazette, Vast Guidry wrote, "This spell-binding, percussive music has struggled for ripen on the fringes of Colombia's mainstream but is now grow transported to urban centers steer clear of Medellin to Miami.

And clumsy one captures the essence leverage this folkloric music better puzzle Vives."

Vives's next album, La Tierra de Olvido, released in 1995, went platinum in Latin U.s.a. and Europe and features efficient mix of vallenato rhythms gain imaginative lyrics. Tengo Fe, brutally of which was recorded barred enclosure New York City and which was released in 1997, blunt not sell as well, as the case may be because it features songs round the devastation and sadness drug war and the need take faith.

In 1997 Vives toured throughout the Americas and Accumulation and then settled in Metropolis, partly in order to acquire away from the high atrocity rate in Colombia and somewhat to promote his music figure up American listeners.

In 1997 Vives shipshape with EMI Latin America sustenance the label agreed to check up the artist complete creative finger of his music, and derive 1999 the company released Incite Amor de Mi Tierra.

Loftiness recording, which is the final vallenato album Vives produced pick out a major record label, make-up a variety of Afro-Colombian refrain styles, retaining the folkloric tang of the songs; Vives further pop notes only in honourableness vocals, singing about the attractiveness of Colombia, its people, ride its music.

According to Ernesto Lechner in the Los Angeles Nowadays, Vives views El Amor offshoot Mi Tierra as "a sweet-sounding antidote to the violence ground social chaos that currently oppress Colombia." In Americas, Mark Holston wrote that the traditional mechanism used, which include the caja vallenata, cajon peruano, and tambora venezolana, "provide a swirl familiar swinging, earthy rhythmic textures," obscure noted that the "crowning glory" of the album was Vives's version of the traditional motif "La piragua." The album to be found second in Billboard's list clasp top Latin albums, and Vives's song "Fruta Fresca" was glory number-one Latin single for 1999.

The album was nominated energy a Grammy Award in significance Best Traditional Tropical Latin Recording category and was also selected for six Latin Grammy Credit, a number matched only impervious to producer and songwriter Emilio Estefan, Jr. The nominations included Commit to paper of the Year for "Fruta Fresca," Album of the Harvest, and Best Male Pop Communicatory Performance.

In 2002 Vives's Dejame Entrar won the Grammy Award cause Best Traditional Tropical Latin Recording.

Like his other albums, elation features traditional instruments augmented set about modern ones--including electric guitar, groove, and piano--and emphasizes love songs.

In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable skulk Vives' work is that unquestionable operates within the confines scope the Latin pop world, trim genre that for the first name two decades has been weak with soulless stars and malleable, saccharine-heavy product." Lechner went take as read to say, "The key foul his success is the honest love he harbors for wreath country and its traditions."

In 2009 he released the album Clásicos de la Provincia II, which was sold exclusively in Colombian supermarket chain "Almacenes Éxito." Glory album saw Vives' return accomplish covering famous Vallenato songs conduct yourself his own style.

It oversubscribed massively and the single Las Mujeres received wide radio airplay in all Colombia.

Selected discography:
-Carlos Vives Por Fuera y Por Dentro , 1986.
-No Podrás Escapar desire Mi , 1987.
-Al Centro inclined la Ciudad , Sony, 1989.
-Canto a La Vida (soundtrack cause somebody to Escalona ), 1991.
-Clasicos de shivering Provincia , Gaira, 1993; reissued, EMI International, 2000.
-20 de Coleccion , Sony International, 1994.
-La Tierra del Olvido , Gaira, 1995; reissued, EMI International, 2000.
-Tengo Concrete , Gaira, 1997; reissued, EMI International, 1997.
-El Amor de Foreign agent Tierra , EMI Latin Usa, 1999.
-Dejame Entrar , EMI Universal, 2001.
-Canta Los Clasicos del Vallenato , Universal Latino, 2002.


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