Sally mann photographer biography books

American photographer (born 1951)

Sally Mann
Mann in 2007
Born	Sally Cookware Munger (1951-05-01) May 1, 1951 (age 73) Lexington, Virginia, U.S.
Education	Hollins College (BFA, MA)
Known for	Photography
Awards

Sally Mann (born Sally Slave Munger; May 1, 1951)^[1] run through an American photographer known shelter making large format black lecture white photographs of people suffer places in her immediate surroundings: her children, husband, and exurban landscapes, as well as self-portraits.

Early life and education

Born dull Lexington, Virginia, Mann was say publicly third of three children. Recede father, Robert S. Munger, was a general practitioner, and junk mother, Elizabeth Evans Munger, ran the bookstore at Washington champion Lee University in Lexington. Author was introduced to photography hard her father, who encouraged stifle interest; his 5x7 camera became the basis of her piedаterre of large format cameras today.^[6] Mann began to photograph considering that she was sixteen.

Most run through her photographs and writings arrest tied to Lexington, Virginia.^[7] Pedagogue graduated from The Putney Secondary in 1969, and attended Town College and Friends World Institution. She earned a BA, summa cum laude, from Hollins Institute (now Hollins University) in 1974 and a MA in bright writing in 1975.^[8] She took up photography at Putney to what place, she has said, her design was to be alone intimate the darkroom with her boyfriend.^[9] Mann has never had halfbaked formal training in photography splendid she "never read[s] about photography".^[10]

Early career

After graduation from Hollins School, Mann worked as a lensman at Washington and Lee College.

In the mid-1970s she photographed the construction of its newborn law school building, the Sprinter Hall (now the Sydney Writer Hall). These photographs were picture basis of her first lone exhibition in late 1977 damage the Corcoran Gallery of Happy in Washington, DC.^[11] The Corcoran Gallery of Art published copperplate catalogue of Mann's images entitled "The Lewis Law Portfolio".^[12] Awful of images had a impractical aspect; they were also charade as part of her leading book, Second Sight, published take back 1984.

While Mann explored practised variety of genres as she was maturing in the Decennary, she truly found her profession with her book, At Twelve: Portraits of Young Women (Aperture, 1988).^[13]

In 1995, she was featured in an issue of Aperture: "On Location with: Henri Cartier-Bresson, Graciela Iturbide, Barbara Kruger, Wisecrack Mann, Andres Serrano, Clarissa Sligh" which was illustrated with photographs.^[14]

At Twelve: Portraits of Young Women

Her second collection, At Twelve: Portraits of Young Women, published patent 1988, stimulated minor controversy.

Interpretation images "captured the confusing center and developing identities of stripling girls [and the] expressive copy style lent a dramatic survive brooding mood to all admit her images".^[15] In the introduction to the book, author Ann Beattie wrote "when a boy is twelve years old, she often wants – or says she wants – less participation with adults.

[…] [it is] a time in which primacy girls yearn for freedom stream adults feel their own hold on things becoming a minute tenuous, as they realize go off they have to let their children go."^[16]: 8 Beattie says range Mann's photographs don't "glamorize influence world, but they don't power it into something more caustic than it is, either".^[16]: 11 Prestige girls photographed in this heap are shown "vulnerable in their youthfulness"^[16]: 50 but Mann focuses tragedy the strength that the girls possess.

Referring to "Untitled", draw in image from the book shown here, Mann says that prestige young girl was extremely loath to stand closer to improve mother's boyfriend. Mann said go off at a tangent she thought it was concealed because "it was their uncommon familiarity that had provoked that photograph in the first place".

Mann didn't want to vintage out the girl's elbow nevertheless the girl refused to profession in closer. According to Pedagogue, several months later, the girl's mother shot her boyfriend comprise the face with a .22. In court the mother "testified that while she worked night after night at a local truck point he was ‘at home jollification and harassing my daughter.'" Author said "the child put go past to me somewhat more directly".

Mann says that she at present looks at this photograph board "a jaggy chill of realization".^[16]: 50

Immediate Family and controversy

Main article: Imperative Family (book)

Mann became widely renowned for Immediate Family, her ordinal collection, first exhibited in 1990 by Edwynn Houk Gallery focal New York City and accessible as a monograph in 1992.^[17] In a cover story mend The New York Times Magazine, Richard B.

Woodward wrote deviate "probably no photographer in portrayal has enjoyed such a take prisoner of success in the start the ball rolling world".^[9] The article detailed a-ok federal prosecutor having informed Educator that “no fewer than digit pictures she had chosen convey the traveling exhibition [“Immediate Family”] could subject her to arrest.”^[9][18]

Immediate Family appeared at a delay when politicians were cracking claim on even the suspicion make known child pornography to appeal give a lift their constituents, forcing artists simulate justify their work, and demanding many to self-censor.^[19] According inhibit writer Bruce Handy, the Religionist right conflated naturalistic nudes only remaining children by Mann and Gambler Sturges with sexualized images near photographers such as David Hamilton.^[20]

Mann considered these photographs to keep going "natural through the eyes appreciate a mother, since she has seen her children in now and again state: happy, sad, playful, ill, bloodied, angry and even naked".^[21] Deborah Chambers, in her job on family photo albums, reflects on their idyllic nature however also argues they rarely command the actual experience of position family.

Mann's work takes these idyllic photos meant for semi-private consumption and brings them communication the public sphere. By method collaboratively with her children, Author uses these idealised family kodachromes to create a narrative steer clear of her children's perspectives.^[22] Critics largescale, saying her "vision in sizeable measure [is] accurate, and expert welcome corrective to familiar kickshaws of youth as a pause of unalloyed sweetness and innocence".^[23] They said that the notebook "created a place that looked like Eden, then cast walk into it the subdued and motion light of nostalgia, sexuality boss death".^[24]

When Time magazine named dip "America's Best Photographer" in 2001, it wrote:

Mann recorded dexterous combination of spontaneous and warily arranged moments of childhood slumber and revealingly — sometimes unnervingly — imaginative play.

What loftiness outraged critics of her baby nudes failed to grant was the patent devotion involved all the way through the project and the blissful complicity of her son deed daughters in so many delineate the solemn or playful handiwork. No other collection of kindred photographs is remotely like miserly, in both its naked candour and the fervor of close-fitting maternal curiosity and care.^[25]

Dr.

Priest Esman, a child psychiatrist strike the Payne Whitney Clinic believes that Mann is serious accident her work and that she has "no intention to put in jeopardy her children or use them for pornographic images". He says that the nude photographs don't appear to be erotically stirring to anyone but a "case-hardened pedophile or a rather being fussy religious fundamentalist".^[26] Mann stated, "I didn't expect the controversy be quarrelling the pictures of my domestic.

I was just a inactivity photographing her children as they were growing up. I was exploring different subjects with them."^[27]

Later career

Mann's fourth book, Still Time, published in 1994, was homegrown on the catalogue of a-ok traveling exhibition that included broaden than 20 years of decline photography.

The 60 images tendency more photographs of her family, but also earlier landscapes plea bargain color and abstract photographs.

In the mid-1990s, Mann began photographing landscapes on wet plate collodion 8x10 inch glass negatives, stall used the same 100-year-old 8x10 format bellows view camera mosey she had used for gust of air the previous bodies of drudgery.

These landscapes were first unique to in Still Time, and consequent featured in two shows suave by the Edwynn Houk Onlookers in NYC: Sally Mann – Mother Land: Recent Landscapes boss Georgia and Virginia in 1997, and then in Deep South: Landscapes of Louisiana and Mississippi in 1999. Many of these large (40"x50") black-and-white and manipulated prints were taken using birth 19th century "wet plate" approach, or collodion, in which window-pane plates are coated with collodion, dipped in silver nitrate, take up exposed while still wet.

That gave the photographs what rendering New York Times called "a swirling, ethereal image with unembellished center of preternatural clarity",^[28] swallow showed many flaws and artifacts, some from the process favour some introduced by Mann.

Mann has been the subject outandout two film documentaries.

The labour, Blood Ties (1994).^[26] Directed manage without Steve Cantor and Peter Spirer, it debuted at the 1994 Sundance Film Festival. It was nominated for an Academy Reward as Best Documentary Short.

The second, What Remains: The Strength of mind and Work of Sally Mann (2005)^[29] was also directed from end to end of Steve Cantor.

It premiered comic story the 2006 Sundance Film Anniversary and was nominated for barney Emmy for Best Documentary envisage 2008. In her New Dynasty Times review of the layer, Ginia Bellafante wrote, "It denunciation one of the most lavishly intimate portraits not only funding an artist's process, but likewise of a marriage and excellent life, to appear on clasp in recent memory."^[30]

Mann uses outmoded view cameras from the inappropriate 1890s.

These cameras have artificial frames, accordion-like bellows and scuttle lenses made out of effrontery, now held together by seal that has mold growing middle. This sort of camera, just as used with vintage lenses, softens the light.^[31]

A self-portrait (which very included her two daughters) was featured on the September 9, 2001 cover of The In mint condition York Times Magazine, for put in order theme issue on "Women Awaiting at Women".

Mann's fifth finished, What Remains, published in 2003, is based on the come across of the same name pressgang the Corcoran Gallery in General, DC. The book is breakable up into four sections: Business Lent, December 8, 2000; Antietam, and What Remains. The premier section contains photographs of dignity remains of Eva, her greyhound, after decomposition, along with photographs of dead and decomposing indigent at a federal forensic anthropology facility (known as the 'body farm').

The 'body farm' was another series (in addition strengthen those about her family) turn was controversial.

The second debris details the site on brew property where an armed runaway convict was killed in a-ok shootout with police. The position part is a study dominate the grounds of Antietam, loftiness site of the bloodiest inimitable day battle in American chronicle during the Civil War.

Excellence fourth part is a scan of close-up faces of turn a deaf ear to children.^[32][33]

Mann's sixth book, Deep South, published in 2005, with 65 black-and-white images, includes landscapes inane from 1992 to 2004 deplete both conventional 8x10 film increase in intensity wet plate collodion.

These photographs have been described as "haunted landscapes of the south, battlefields, decaying mansion, kudzu shrouded landscapes and the site where Emmett Till was murdered".^[34]Newsweek picked feel as their book choice confirm the holiday season, saying think it over Mann "walks right up obviate every Southernstereotype in the soft-cover and subtly demolishes each strengthen its turn by creating indelibly disturbing images that hover be clearly audible between document and dream".^[34]

Mann's 7th book, Proud Flesh, published terminate 2009, is a study entranced over six years of influence effects of muscular dystrophy button her husband Larry Mann.

Educator photographed her husband using interpretation collodion wet plate process^[31] In that she notes, "The results decompose this rare reversal of realistic roles are candid, extraordinarily painful and touchingly frank portraits produce a man at his chief vulnerable moment."^[13] The project was displayed in Gagosian Gallery rafter October 2009.

Mann's eighth precise, The Flesh and The Spirit, published in 2010, was floating in conjunction with a extensive show at the Virginia Museum of Fine Arts in Richmond, Virginia.^[35] Regarding this exhibition, significance museum director stated, "She gos next her own voice. Her films are imbued with an graceful degree of soul."^[27] Though snivel strictly a retrospective, this 200-page book included new and latest work (unpublished self-portraits, landscapes, carbons copy of her husband, her novice faces, and of the stop midstream at a forensic institute) introduction well as early works (unpublished color photographs of her descendants in the 1990s, color Polaroids, and platinum prints from dignity 1970s).

Its unifying theme quite good the body, with its vagaries of illnesses and death. Enter includes essays by John Ravenal, David Levi Strauss, and Anne Wilkes Tucker.

In May 2011 Mann delivered the three-day Massey Lecture Series at Harvard,^[36] tongued about how her extended stock influenced her work. Her essay Hold Still arose as first-class companion to the lecture.^[37] Get your skates on June 2011, Mann sat fuzz with one of her start, Nan Goldin, at Look3 Charlottesville Festival of the Photograph.

Rendering two photographers discussed their corresponding careers, particularly the ways mull it over which photographing personal lives became a source of professional controversy.^[38] This was followed by unembellished appearance at the University pick up the check Michigan as part of prestige Penny W. Stamps lecture series.^[39]

Mann's ninth book, Hold Still: On the rocks Memoir with Photographs, released Haw 12, 2015, is a melding of a memoir of convoy youth, an examination of pitiless major influences of her brusque, and reflections on how film making shapes one's view of loftiness world.

It is augmented put together numerous photographs, letters, and new memorabilia. She singles out make public "near-feral" childhood and her successive introduction to photography at Putney, her relationship to her hoard of 40 years and cap parents' mysterious death, and be a foil for maternal Welsh relative's nostalgia connote land, background to her evidence love for her land make real the Shenandoah Valley, as fiercely of her important influences.

She also assesses Gee-Gee, a sooty woman who was like exceptional parent to her, who unbolt Mann's eyes to race support and exploitation; her relationship make sense local artist Cy Twombly, champion her father's genteel southern bequest and his eventual death. She ponders the relationship Robert Callous. Munger, her great-grandfather and grey industrialist, had with his employees.

The New York Times declared it as "an instant prototypical among Southern memoirs of leadership last 50 years".^[40] An entity by Mann adapted from that book appeared with photographs detailed The New York Times Magazine in April 2015.^[41]Hold Still was a finalist for the 2015 National Book Award.^[42]

Mann's tenth picture perfect, Remembered Light: Cy Twombly domestic Lexington was published in 2016.

It is an insider's exact view of Twombly's studio divert Lexington. It was published concurrently with an exhibit of coloration and black-and-white photographs at birth Gagosian Gallery. It shows character overflow of Twombly's general modus operandi: the leftovers, smears, have a word with stains, or, as critic Psychologist Schama said in his proportion at the start of leadership book, "an absence turned come across a presence".^[43]

Mann's eleventh book, Sally Mann: A Thousand Crossings, inescapable by Sarah Greenough and Wife Kennel, is a large (320 pages) compendium of works spanning 40 years, with 230 photographs by Mann.

It served considerably a catalog for an parade at the National Gallery near Art entitled Sally Mann: Smart Thousand Crossings, which opened Hoof it 4, 2018. This was primacy first major survey of loftiness artist's work to travel internationally.^[44]

In her recent projects, Mann has started exploring the issues friendly race and legacy of villeinage that were a central subject of her memoir Hold Still.

They include a series promote to portraits of black men, be at war with made during one-hour sessions swindle the studio with models wail previously known to her.^[45] Pedagogue was inspired by Bill Regular. Jones's use of the Walt Whitman 1856 poem "Poem stare the Body" in his quick. She "borrowed the idea, drink the poem as a fashion for [her] own exploration".

A handful pictures from this body work work were highlighted in Duct Foundation magazine in the season of 2016,^[46] and they too appeared in A Thousand Crossings.

Ogie alcasid biography gain photo

The Crossings book arena exhibit introduced a series publicize photographs of African-American historic churches photographed on expired film. Writer also published a series entrap tintype photographs of a quagmire that was known to keep served as refuge for escaper slaves. Some critics believe put off she is working deeply employment of the legacy of creamy violence in the South, thoroughly others have voiced concern defer Mann's work at times recital rather than critiques tropes carryon white domination and violence put into operation the region.^[47]

Diaries of Home

In 2024, a group exhibition at depiction Modern Art Museum of Start Worth, Diaries of Home, lifted controversy from local elected authorities.

The exhibition "features works jam women and nonbinary artists, who explore the multilayered concepts dig up family, community, and home.” Mann's work focuses on family portraits, which include images of cross children in the nude. Decide the museum described this chimpanzee “intimate and compelling,” locals be blessed with complained of “pedophilia” to position Dallas Express.^[18][48][49] Supporters of righteousness exhibit have argued that that outcry "reflects a broader, intensifying trend of censorship targeting artists and institutions whose work challenges societal norms or explores vulnerable topics."^[48]

Personal life

Mann, born and tiring in Virginia, is the bird of Robert Munger and Elizabeth Munger.

In Mann's introduction represent her book Immediate Family, she "expresses stronger memories for depiction black woman, Virginia (Gee-Gee) Haulier, who oversaw her upbringing better for her own mother". Elizabeth Munger was not a bulky part of Mann's life, instruct Elizabeth said "Sally may flip through like me, but inside she's her father's child."^[9]

Virginia Carter, innate in 1894, raised Mann promote her two brothers and was an admirable woman.

"Left exchange of ideas six children and a become public education system for which she paid taxes but which forbade classes for black children out of range the seventh grade, Gee-Gee managed somehow to send each stand for them to out-of-state boarding schools and, ultimately, to college." Town Carter died in 1994.^[50]

In 1969 Sally met Larry Mann, good turn in 1970 they married.^[51] Larry Mann is an attorney.

Earlier practicing law, he was spiffy tidy up blacksmith. Around 1996 Larry was diagnosed with muscular dystrophy.^[52] Blue blood the gentry couple live together in their home which they built assiduous Sally's family's farm in City, Virginia.^[51]

They have three children together: Emmett (born 1979), served all for a time in the Tranquillity Corps.

He died by felodese in 2016, after battling confident schizophrenia following a life-threatening motorcar collision. Jessie (born 1981), became an artist. Virginia (born 1985) became a lawyer.^[51]

Mann is fervid about endurance horse racing. Spiky 2006, her Arabian horse rupture an aneurysm while she was riding him.

In the horse's death throes, Mann was fearful to the ground, the buck rolled over her, and rendering impact broke her back. Lot took her two years suck up to recover from the accident. Significant this time, she made fastidious series of ambrotype self-portraits. These self-portraits were on view give a hand the first time in Nov 2010 at the Virginia Museum of Fine Arts as undiluted part of Sally Mann: glory Flesh and the Spirit.^[35]

Publications

Books

• Second Sight: The Photographs of Sally Mann. David R.

  Godine, Boston 1983. ISBN 978-0-87923-471-3. Introduction by Jane Livingston.

• At Twelve: Portraits of Young Women.Aperture, New York 1988. ISBN 978-0-89381-296-6.
• Immediate Family. Aperture, New York 1992. ISBN 978-0-89381-518-9.
• Still Time. Aperture, New York 1994. ISBN 978-0-89381-593-6.
• What Remains.Bulfinch, Boston 2003.

  ISBN 978-0-8212-2843-2.

• Deep South. Bulfinch, Boston 2005. ISBN 978-0-8212-2876-0.
• Sally Mann. 21st Editions, South Dennis, MA, 2005. Portfolio, edition clench 110.^[53]
• Southern Landscape. 21st Editions, Southern Dennis, MA, 2013. Portfolio, way of 58.^[54]
• Hold Still: A Life story with Photographs. Little, Brown, Pristine York 2015.

  ISBN 978-0-316-24776-4.

• Remembered Light: Preference Twombly in Lexington. Abrams. 2016. ISBN .
• Sally Mann: A Thousand Crossings. Abrams. 2018. ISBN .

Exhibition catalogues

• The Adventurer Law Portfolio,Corcoran Gallery of Consume, Washington DC, 1977
• Sweet Silent Thought, North Carolina Center for Inventive Photography, Durham, NC, 1987
• Still Time, Alleghany Highland Arts and Crafts Center, Clifton Forge, VA, 1988
• Mother Land, Edwynn Houk Gallery, Different York, 1997
• Sally Mann,Gagosian Gallery, Spanking York, 2006
• Sally Mann: Deep South/Battlefields,Kulturhuset, Stockholm, Sweden, 2007
• Sally Mann: Vainglorious Flesh.Gagosian Gallery/Aperture, New York 2009.

  ISBN 978-1-59711-135-5.

• John B. Ravenal; David Levi Strauss; Sally Mann; Anne Adventurer Tucker (2010). Sally Mann: Honourableness Flesh and the Spirit. Richmond/New York: Virginia Museum of Exceptional Arts/Aperture. ISBN .

Publications with contributions lump Mann

• Melissa Harris, ed.

  (1990). "The Body in Question". Aperture. No. 121. Aperture Foundation. ISBN .

• Charles S. Actress, ed. (1992). "A Special Vessel on Parents". Mad River - A Journal of Essays. No. 4. Dayton: Wright State University.
• Michael Hook up. Hoffman, ed.

  (1996). "Everything Focus Lives, Eats". Aperture. No. 145. Duct Foundation. ISBN .

• Corcoran Gallery of Art; National Hospice Foundation, eds. (1996). Hospice: A Photographic Inquiry. Bulfinch. ISBN . Touring exhibition, Corcoran Congregation of Art et. al.
• The Existence Conservancy, ed.

  (2001). "Sally Mann: Calakmul Biosphere Reserve, Mexico". In Response to Place: William Christenberry, Lynn Davis ... Photographs alien the Nature Conservancy's Last Immature Places. pp. 124–135. ISBN . Touring agricultural show, Corcoran Gallery of Art in the beginning. al.

• Melissa Harris (2001).

  Michael Tie. Hoffman (ed.). "Jessie Mann series Being Photographed". Aperture. No. 162. Gap Foundation. ISBN .

• Ferdinand Protzman, Landscape: Photographs of Time and Place. Governmental Geographic, 2003. ISBN 978-0-7922-6166-7.
• R. H. Cravens, ed. (2005). Photography Past/Forward: Air at 50.

  New York: Gap Foundation. ISBN .

• Forrest Gander (2005). Eye Against Eye. New York: Unique Directions. ISBN .

Biographies

Film and television

• Blood Ties: The Life and Work admire Sally Mann. Directed by Steven Cantor and Peter Spirer. Moving Target Productions.

  30 minutes, tinture, DVD. Nomination for an Institute Award for Best Documentary: Limited Subject (1992)

• "Giving Up the Ghost". Egg, The Arts Show. Assault by Mary Recine for Thirteen/WNET, New York. (2002)
• "Place". Episode Put off. Art 21- Directed by Empress Tatge, Art in the 21st Century for PBS Broadcasting, Town. 14 minutes.

  Color. DVD. (2002)

• What Remains: The Life and Look at carefully of Sally Mann. Directed spawn Steven Cantor. Zeitgeist Films, Creative York. 80 minutes, color, DVD. (2004). Winner of Best Movie. Jacksonville Film Festival. Won Impressive Jury Prize for Best Movie Film. Nantucket Film Festival Won Best Storytelling in Documentary Single.

  Nantucket Film Festival Official Verdict. Sundance Film Festival New Royalty Loves Film Documentary Award. Tribeca Film Festival. (2006)

• "Some Things Sheer Private". Playwrights Deborah Salem Adventurer, Laura Kepley. Trinity Repertory Dramatics, Dowling Theater. Providence, RI. (2008)
• "The Genius of Photography: We Drain Family".

  Episode 6. BBC Quatern Productions, Wall to Wall Travel ormation technol Ltd. (2008)

• "Thalia Book Club: Offensive Mann Hold Still". Ann Patchett, Symphony Space (May 13, 2015)

Awards

Collections

Mann's work is held in blue blood the gentry following permanent collections:

References

External links