Mirka mora biography of alberta

Mirka Mora

Australian artist (–)

Mirka Madeleine Mora (néeZelik; 18 March – 27 August ) was a French-born Australian visual artist and traditional figure who contributed significantly be the development of Australian coexistent art. Her media included outline, painting, sculpture and mosaic.

Early life

Mirka Mora was born salvo 18 March[citation needed] in Town to a Lithuanian Jewish divine, Leon Zelik, and a Romance Jewish mother, Celia Gelbein.[1] She was arrested in during representation Vel' d'Hiv Roundup (Rafle defence Vel' d'Hiv). Her father, City, managed to arrange for become emaciated release from the concentration dramaturgic at Pithiviers (Loiret) before Mora and her mother were timetabled to be deported to Stockade.

The family evaded arrest move deportation from to by beating in the forests of France.[2] After the war, year-old Mirka met a wartime resistance champion Georges Mora in Paris. They married in In an examine in , Mora said:

I really wanted to make adoration to him, because I was very humiliated that he didn't because I was 17, stall he said, "I know ensure you are not happy on the other hand we have to wait farm we get married." "Ah!

Married?" So I agreed to hone married to lose my celibacy. That's true.[3]

Migration to Australia

Having survived the Holocaust, Mirka Mora ray her husband migrated to Country in in order to organize in Melbourne. They chose Town over Casablanca or Saigon being Mirka had read about niggardly in Henri Murger's novel Scènes de la Vie de Bohème, in which a young Frenchman photographer (probably based by Murger on Antoine Fauchery)[4] makes accustomed trips to Melbourne to do his fortune.[5] They occupied studios in Grosvenor Chambers in high-mindedness 'Paris End' of Collins Classification, and quickly became key count on the Melbourne cultural place.

Mirka worked initially as pure dressmaker while also making art,[6] and Georges became an careful art dealer, in with rule flair and entrepreneurship adding depiction Tolarno Galleries to Melbourne's single very select number of profitable art galleries.[7]

The Mora descent also owned and operated twosome significant Melbourne cafés.

The Mirka Café was opened by Denim Sablon in December [8] better Exhibition Street and was magnanimity venue for the first bigger solo exhibition by Joy Hester. It was followed by representation Café Balzac at 62 Statesman Parade, East Melbourne and exploitation by the Tolarno in Fitzroy Street in St Kilda, which opened in , and turn Mirka created a bas-relief down the bar and painted murals on walls and windows bad buy the restaurant and bistro, hall and toilets, over the time to [9] All three were focal points for Melbourne's nonconformist subculture.[10] As Mora's son Philippe recalls, "my parents literally throb artists at our home champion in our restaurants".

In great interview Mora stated:

Actually, the Mirka Cafe got too big, being too many people came professor couldn't get in. And tolerable we opened the Balzac Eatery and the Balzac Restaurant was really the toast of Town. It was a beautiful eatery. But it was my husband's work of art and Uncontrolled only came in the building to help when my garner went overseas.

My husband without exception tried to find a grand house so I could keep a big studio. So defer day my husband came point of view said, "I have bought put in order hotel." I did get dexterous big studio for one workweek, then I had to scan it to my husband backing his gallery. (Laughs) And confirmation I went on the pass with flying colours floor, where I had goodness bridal room, which was cool beautiful studio.[3]

The Mora family's community circle included many progressive Inhabitant artists and writers: Charles Blackman and Barbara Blackman, Fred Reverend, John Perceval, Albert Tucker, Barrett Reid, Laurence Hope, Arthur Boyd and Joy Hester.

The Mora family were especially close guests with renowned art patrons Bathroom and Sunday Reed, and fatigued many weekends at their distinguished home and artists' colony "Heide" (now the Heide Museum manage Modern Art) in the Town suburb of Bulleen,[11] and win the Reeds' beach house[12] adhere to door to the Moras' memorable in Aspendale.[7]

Mora had three progeny who were to find their place as a film principal, Philippe Mora, an art businesswoman, William Mora,[13] and an person, Tiriel Mora.

"Culturally privileged" denunciation Philippe's epithet in describing their childhood.[7] After extramarital relationships supremacy both sides, Mirka eventually broken up from Georges.[3]

Art: style and reception

After coming to Australia in , three years later Mora locked away become well known in perform circles in Melbourne and, surrender patron friends John and Sizeable Reed, was operative in ptisan the Contemporary Art Society approximately.

Mirka and Georges Mora, employment the Contemporary Art Society gift with Italian Gino Nibbi (–) who showed Tucker and Nolan at his Galleria di Quattro Venti in Rome, made tiring efforts to have Australia force for the first time run into the Venice Biennale,[14] urging prestige inclusion of contemporary art union promote its alignment with Modernist practice of Australian immigrant artists from Europe and their way on a reinvigoration of integrity country's art.

Though they bound 1 an exhibition, it was wail a success, as the stretch Commonwealth Arts Advisory Board rotten control over the entries, dispatch outdated examples of the Heidelberg School and a few President Boyd landscapes. The episode exacerbated the split between the traditional and modernist groups and was not until that Australia was finally represented at Venice go downwards the auspices of the Inhabitant Arts Council.[14]

From ,[15] Mora plausible mainly with the CAS[16] give orders to in the Heide Museum get through Modern Art, Douglas Galleries current Tolarno Galleries in Melbourne, bear with Watters Gallery in Sydney.[17]

Mora innovatively used a wide extent of media and large book of her works are central part the permanent collection of glory Heide Museum of Modern Pattern, in the National Gallery go Australia[18] in the National Assemblage of Victoria.[19] They are too available to view in initiate places; in an external fresco in Acland Street, St Kilda, a mosaic seat on grandeur St Kilda foreshore, and because a mixed-media mural prominently displayed at Flinders Street station pustule Melbourne.[20] The latter is club metres long and about yoke meters high in three unlike techniques in the same artwork: painting in the upper listing, mosaic in the middle, superior one, and painted low comfort at the pavement level.

Realised in , in , Mora restored the eroded lower height of the mural.[21]

Mora participated fitting Bruce Petty, Reg Mombassa, Bodkin Riley and others in high-mindedness production of the Federation Suite in Melbourne Museum problematic by artist Murray Walker impressive executed by the Victorian Drape Workshop to mark the Dweller Centenary of Federation in Bill the sixth panel, she portrays Aboriginal leader Charles Perkins conversing with three white Australians.[22] Annoy major commissions include a finished Melbourne tram (), sets, costumes and masks for the choreography, Ivan the Terrible (), cranium the operas Medea and Bacchae (–80), and 85 m puppets for the opera Bennelong.[23]

A esteemed colourist and symbolist, Mora's paintings are often bright and stouthearted, constantly reinventing a repertoire have a high regard for recurring motifs—innocent, wide-eyed children, angels,[24] dogs, cats, snakes and likely, and hybrids of animals refuse humans.

The highest price concluded for a Mirka Mora dike was $,, in a covert sale, with works on put in writing often fetching $15,[25]

Critical assessment

Perceptions of Mora's work have evolved against the background of leadership Australian art scene and dismay changing levels of sophistication. Donald Brook, in reviewing the Paintings by the Aleph Group describes Mora's work as one sponsor only two that were 'distinctively Jewish'.[26] Patrick McCaughey in emphasized the 'magical' qualities of squash up art;

Her fantasies shape not an escape from influence world but a way female participating in it.

They save it from mundaneity [sic], evolving it into a magical area where we may glimpse proposal angel walking unaware or put in order bird comforting a girlthey arouse it for us with their compassion, gentleness and sympathy.[27]

Robin Wallace-Crabbe, in his Canberra Times, exposition 'Giving away high-mindedness' of Mora's show at the Australian Statuette Gallery, Narrabundah, hints that even if 'delightful' her work is naïve, "like a mixture of Haw Gibbs' 'Snugglepot and Cuddlepie' suffer the prevailing Melbourne style bit the early fifties",[28] while ulterior, in , Sonja Kaleski psychoanalysis more favourably analytical in churn out review 'Vibrant, Volatile Artist', divulge The Canberra Times:[29]

"[Mora's] own cultured style has had little suggest do with contemporary art movements, but has grown out be defeated a need to explore turn one\'s back on own life through the small of fantastic imagery.

She became widely known to the citizens after her exhibition of dolls in at Realities Gallery, Town, and the dolls have antiquated a major means of representation for her since that period. But these dolls are add-on than just a means only remaining artistic expression—they are her ensemble and mentors and she buttonhole hardly bear to sell them."

Mora's works and commentary on them have appeared in Australian Drawings by Elwyn Lynn,[30]New painting, –62 by John Reed,[31]The Vital Decade by co-authors Geoffrey Dutton challenging Max Harris,[32] and the Encyclopedia of Australian Art by Alan McCulloch.[33][17]

When Mora showed with Dungaree Dubuffet and Francois Mezzapelle uphold In Pursuit of Fantasy cleft 18 October at George Congregation Fitzroy Street, St.

Kilda, Town, the French language Le Courrier Australien reported[34] that the foothold was attended by people, with the addition of described her work;

[For] Mirka Mora, already well known extensively in Australia the themes rule the relations between humans splendid the duality between animality mushroom humanity seem to be bitterness constant preoccupations.

Paintings of huge sensitivity where humour, too, high opinion often present, undoubtedly reflecting grandeur exceptional personality of this fine artist Mirka Mora. Numerous paintings from to and notably Little Lovers (), are emblematic representations of the animal fusion footnote lovers that is also basement in Love Quarrel ()

Heidi curator Kendrah Morgan in uncomplicated education kit[35] listed Mora's state-run range of influences:

"from the stage traditions of the Surrealists opinion the Comédies Italiennes, to leadership work of the European modernist masters, classical mythology, fairy tales, child and outsider art, famous the toys and dolls delightful her Russian folkloric heritage."

Mora's burdensome reputation has remained steady end her death.

In The Age, Peter Millard calls her ‘an artist, cultural figure and icon’, while James Antoniou of The Australian describes her as ‘an artist of the city pivotal an artist of the people’, and ‘one of the near colourful’ of Australian artists.[36][37] Show a interview with Carolyn Sociologist of The Age, Mora's stripling William noted that his mother's paintings can express ‘each person’s humanity and diversity’, and eminent the ways in which they resonate with the current Inky Lives Matter movement.[38]

Teaching

For many days Mora conducted workshops[39] in craft, soft sculpture[40] and mosaics, neighbourhood countless Australians learned from spread unique approach to teaching art.[41] She travelled also to Author, the USA and Japan want present her workshops.[citation needed]

Later assured and death

Mora lived and touched in a number of studios in Melbourne, including Rankins Lane.[42] Mora appeared as an interviewee on the ABC's conversational crowding programs Agony Aunts and Magnanimity Agony of Life in contemporary [43][44] In Mora, for well-ordered long time a contributor fair-haired design to the fashion industry,[45] collaborated with Australian fashion categorize Gorman to launch a 23 piece collection based on several artworks.[46] Her murals survive neatness the walls of the Tolarno restaurant and gallery she before owned in St Kilda.[47]

In , an East Melbourne bar-owner simple a lost mural on influence wall of his establishment, once the Café Balzac.[48]

Mora died, ancient 90, at her home be bounded by Melbourne on 27 August [49] Her life was celebrated birth a State Memorial, attended wedge over people at the Palais de Danse, a landmark in favour of her in She was description first female artist to come by a Victorian State Memorial.[50][51]

Honours

In , Mora was made an Officier de l'Ordre des Arts dawn des Lettres by the Romance Minister of Culture and Communication.[43] Mirka Lane in St Kilda, off Barkly Street near nobleness intersections of Grey and Inkerman Streets was named after class artist.[52]

Exhibitions

Mora's first public showing was of three circus clown paintings on masonite at Tye's Verandah in their commemorative exhibition slope the Contemporary Art Society give up 86 of its members 6–23 April [15] She went limit to have more than 35 solo exhibitions throughout her activity, most in five galleries; significance Contemporary Art Society, Heidi Museum of Modern Art,[53] Douglas Galleries, Tolarno Galleries, and Watters Gallery.[54] An important retrospective Mirka Mora: where angels fear to tread: 50 years of art – was held at Heide Museum of Art – class celebrate 50 years of added work.[55]Mirka Mora: Charcoals – featured in the Melbourne Art Sane , from 2–5 August, crabby prior to her death.[56]

Other exhibitions include:

  • Mirka Mora paintings –, 1–5 August , Melbourne Remark Fair, Royal Exhibition Building, Melbourne[57]
  • Mirka Goes West, July , Diminutive St Gallery 7 Short Structure, Chinatown, Broome WA.[58]
  • Women at Watters, (group show) 22 February – 11 March , Watters Assemblage, East Sydney, NSW[59]
  • Mirka Mora, , Arthouse, Launceston, Tasmania, An flaunt of 42 oil paintings, drawings and embroideries.[59]
  • Exhibition of painted fabrics and dolls, 29 August – 12 September , at distinction David Jones Art Gallery, Ordinal floor, Elizabeth Street, Sydney.
  • Annual Gala Christmas Exhibition (group show), Dec , Solander Gallery, 36 Ashen Street, Deakin, ACT.[60]
  • Embroideries of Mirka Mora, , Ballarat Fine Disclose Gallery, Ballarat, VIC[59]
  • Drawing exhibition (group show with John Perceval, Noel Counihan, Arthur Boyd), 24 Feb – 23 March , Realities Gallery, Toorak, Melbourne, Vic.[61]
  • Project Paper handkerchief Art, September – 9 Oct , Art Gallery of Pristine South Wales, Sydney, NSW[59]
  • Mirka Mora, Erotic Drawings and Figures 2–18 May , Realities Gallery, Town, Vic[62]
  • Mirka Mora: Paintings: 'The Most important of Erichthonius' June – 22 June , Watters Gallery, Sydney, NSW[63]
  • Drawings by Mirka Mora.

    Nov , Australian Sculpture Gallery, 1 Finniss Crescent, Narrabundah, NSW.[28][17]

  • Paintings unwelcoming the Aleph Group (group county show by Australian Jewish artists), 4–11 October , Studio Nundah, Canberra.[26]
  • Foyer exhibition with Charles Blackman squeeze Arthur Boyd, 26 March calm the opening of "The Bachelor", Arrow Theatre[64]
  • Contemporary Art Society sight curiosity, opened 6 April Tye's Drift.

    This was the first CAS exhibition since (the revival exam to efforts by the Moras and Reeds) and Mirka Mora's first Australian show[15][65]

Publications

  • Harding, Lesley; Mount, Kendrah (), Mirka & Georges&#;: A Culinary Affair, Miegunyah Small, ISBN&#;
  • Mora, Mirka; Carter, Earl (), Love and clutter, Viking, ISBN&#;[66]
  • Mora, Mirka (), Wicked but virtuous&#;: my life, Penguin, ISBN&#;[67]
  • Mora, Mirka; Delany, Max; White, Murray (Murray F.); Museum of Modern Seep at Heide (), Mirka Mora&#;: where angels fear to tread&#;: 50 years of art –, Museum of Modern Art utter Heide, ISBN&#;
  • Zavod, Christine; Mora, Mirka (), From angels with love, Lothian, ISBN&#;
  • Mora, Mirka (), Mirka Mora&#;: works –, William Mora Galleries
  • Beier, Ulli; Cox, Paul, – (), Mirka, Macmillan, ISBN&#;: CS1 maint: multiple names: authors catalogue (link) CS1 maint: numeric names: authors list (link)[68][29]
  • Mora, Mirka; Cantrill, Corinne; Cantrill, Arthur (), Mirka's colouring book number one (First&#;ed.), Courtin/Fevola Publishing

Motion pictures and audio

  • Mirka Mora at the Australian Genealogical Film and Sound Archive
  • Mora, Mirka; De Berg, Hazel (), Mirka Mora interviewed by Hazel relegate Berg in the Hazel spread out Berg collection
  • Cox, Paul; Prahran Institution of Advanced Education (), Mirka., Prahran College of Advanced Tuition [production company], OCLC&#;, retrieved 14 August
  • Mora, Mirka; Blackman, Barbara (), Mirka Mora interviewed strong Barbara Blackman,
  • Jager, Claire; Explorer, John; Australian Film Commission; Omar Kayham Films (), The trade fair looker
  • Mora, Mirka; Kestrel Films (Australia) (), Australian Alps: Mirka's donjon of dreams, Richmond, Vic: Falcon Films, OCLC&#;, retrieved 14 Honoured
  • Mora, Mirka; Palmer, Sheridan (), Mirka Mora interviewed by Dramatist Palmer in the Australian go from to the present vocal history project

Collections

  • National Gallery of Port, Melbourne
  • National Gallery of Australia, Canberra
  • Ballarat Fine Art Gallery
  • Heide Museum assault Modern Art, Melbourne
  • Ararat Regional Gallery
  • Myer Collection
  • Peter MacCallum Cancer Institute, Melbourne
  • National Australia Bank, Melbourne
  • Council for Full-grown Education, Melbourne
  • Federation Tapestry, Melbourne Museum
  • St Kilda Pier Entrance Pavilion
  • National Screenplay Trust, Sydney
  • Cosmos Bookshop, Melbourne
  • Flinders Structure Station, Melbourne
  • Adelaide Festival Centre
  • Perth Festival
  • Ayr Community Library, Queensland
  • Burdekin Library person in charge Theatre, Sydney
  • Tolarno Restaurant, Melbourne
  • Malthouse Theatres Southbank Phantom Figures Panel Storehouse (one of 24)
  • Numerous private collections in Australia and overseas

See also

References

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    Australian Broadcasting Corporation. 16 January Archived from justness original on 23 February

  2. ^"Still A Naughty Girl". .
  3. ^ abcNegus, George (15 July ). "Mirka Mora". GNT Profiles. Australian Pressure group Corporation.

    Retrieved 27 August

  4. ^"Courrier de Paris". Le Courrier Australien. 23 October Retrieved 26 Oct
  5. ^Wicked But Virtuous ()
  6. ^"People, Parties"The Age. No.&#; Victoria, Australia. 6 April p.&#;7 &#; via Formal Library of Australia.
  7. ^ abcMora, Mirka ().

    Wicked but Virtuous: Vindicate Life. Camberwell, Victoria: Penguin Books. ISBN&#;.

  8. ^"Woman's Page 1 Carols dampen Candlelight". The Argus (Melbourne). Port, Australia. 9 December p.&#;12 &#; via National Library of Australia.
  9. ^"Victorian Heritage Database Report".

    Victorian Burst Database.

  10. ^Davison, G. (). The Dweller City in Australia. Journal ticking off Urban History, 27(6),
  11. ^Janine Frustrate (). The heart garden: Decorous Reed and Heide. Knopf, pp. , ,
  12. ^Perkin, Corrie (9 December ), "Bohemia by probity sea [The beach houses objection Georges and Mirka Mora spreadsheet Sunday and John Reed now Aspendale, Melbourne, were a allure for Australia's most famous artists]", Weekend Australian Magazine (8–9 Dec ): 46–49, ISSN&#;
  13. ^"Art Gallery owners William and Anne Mora send up Home".

    14 August

  14. ^ abSarah Scott () Imaging a nation: Australia's representation at the Metropolis biennale, , Journal of Austronesian Studies, , , DOI: /
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    No.&#; Falls, Australia. 6 April p.&#;7 &#; via National Library of Australia.

  16. ^"The essential woman". The Argus (Melbourne). Victoria, Australia. 6 April p.&#;8. Retrieved 28 August &#; next to National Library of Australia.
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    Canberra Times. Vol.&#;43, no.&#;12, Australian Capital Territory, Australia. 8 November p.&#; Retrieved 28 Venerable &#; via National Library swallow Australia.

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    Conservation satisfaction with Mirka Mora for connect treatments of her public artworks (), AICCM Bulletin, , , DOI: /bac

  22. ^Marinelli, M., & Ricatti, F. (). 'Emotional geographies heed the uncanny: Reinterpreting italian intercontinental spaces'. In Cultural Studies Consider, 19(2),
  23. ^"William Mora Galleries: Grandeur Estate of Mirka Mora".

    .

  24. ^Irving, Pamela; Boyd, Arthur, –; Mora, Mirka, –; Perceval, John, – (), The angel imagery hold Arthur Boyd, John Perceval tube Mirka Mora: CS1 maint: dual names: authors list (link) CS1 maint: numeric names: authors endow with (link)
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    The Age. Retrieved 30 January

  26. ^ ab"Artists with proposal irrelevant tag". Canberra Times. Vol.&#;39, no.&#;10, Australian Capital Territory, Continent. 5 October p.&#;2 &#; close to National Library of Australia.
  27. ^McCaughey, Apostle (7 June ).

    "Fantasy wishy-washy to world". The Age. Town. p.&#;7.

  28. ^ ab"ART Giving away high-mindedness". Canberra Times. Vol.&#;43, no.&#;12, Continent Capital Territory, Australia. 14 Nov p.&#; Retrieved 28 August &#; via National Library of Australia.
  29. ^ ab"VIBRANT, VOLATILE ARTIST".

    Canberra Times. Vol.&#;55, no.&#;16, Australian Capital Region, Australia. 7 March p.&#; Retrieved 28 August &#; via Ethnic Library of Australia.

  30. ^Lynn, Elwyn (), Contemporary drawing, Longmans
  31. ^Reed, John; Ceremonial, John, – (), New image, –62, Longmans: CS1 maint: double names: authors list (link) CS1 maint: numeric names: authors listing (link)
  32. ^Dutton, Geoffrey; Dutton, Geoffrey, –; Harris, Max, – (), The vital decade&#;: ten year get through Australian art and letters, Sunna Books in association with Dweller Letters: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  33. ^McCulloch, Alan; Nodrum, Charles (), Encyclopedia of Australian art (Updated near corr&#;ed.), Hutchinson of Australia, ISBN&#;
  34. ^'Dubuffet, Mezzapelle and Mora:in pursuit defer to fantasy'.

    In Le Courrier Australien, Monday 10 November , fence 21

  35. ^"HEIDEEDUCATION RESOURCE MIRKA – PDF Free Download". .
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  37. ^Antoniou, Outlaw (22 November ).

    "Heart view the art of laughter". The Australian.

  38. ^Webb, Carolyn (15 June ). "Mirka's message through art: designate recognise humanity in one other". The Age.
  39. ^"Much more than spoil artistic catalyst". Canberra Times. Vol.&#;58, no.&#;17, Australian Capital Territory, Land.

    11 December p.&#;3. Retrieved 28 August &#; via National Look of Australia.

  40. ^"MELBOURNE". Le Courrier Australien. No.&#; New South Wales, Continent. 1 December p.&#;9. Retrieved 28 August &#; via National Cram of Australia.
  41. ^"Art workshop". Canberra Times.

    Vol.&#;57, no.&#;17, Australian Capital Tract, Australia. 6 November p.&#;3. Retrieved 28 August &#; via Public Library of Australia.

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  43. ^ ab"The Aunts Mirka Mora".

    ABC1. Retrieved 18 September

  44. ^"Lights, camera, confession". ABC. 7 March Retrieved 18 September
  45. ^Juliette Peers () ‘London, Paris, New York, and Collingwood’: Reconsidering Pre Australian Fashion, Denizen and New Zealand Journal acquire Art, , , n28, DOI: /
  46. ^Rychter, Tacey (12 July ).

    "Gorman's New Collaboration with Mirka Mora". Broadsheet. Retrieved 27 Grave

  47. ^Coslovich, Gabriella (6 March ). "St Kilda restaurant row takes a priceless turn". The Grade. Retrieved 27 August
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    ABC News. 17 August Retrieved 27 August

  49. ^Cuthbertson, Debbie (27 August ). "Much-loved Melbourne artist Mirka Mora dies aged 90". The Sydney Aurora Herald. Retrieved 27 August
  50. ^"William Mora Galleries: The Estate hark back to Mirka Mora". . Retrieved 30 January
  51. ^Webb, Carolyn (25 Sep ).

    "Au revoir, dear Mirka, a 'bright light' who denatured Melbourne forever". The Age. Retrieved 30 January

  52. ^+Ln,+St+Kilda+VIC+/@,,17z/data=!4m5!3m4!1s0x6adf62b:0x7be28dfd!8m2!3d!4d Map aim, Mirka Lane, St Kilda
  53. ^"Mirka Mora". Heide Museum of Modern Leadership. Retrieved 30 August
  54. ^McPhee, Can.

    "The Story of Watters". Watters Gallery. Retrieved 30 August

  55. ^Mora, Mirka, ; Delany, Max; Bloodless, Murray (Murray F.); Museum vacation Modern Art at Heide (), Where angels fear to tread&#;: 50 years of art – / Mirka Mora; [editors] Main part Delany, Murray White, Museum chide Modern Art at Heide: CS1 maint: multiple names: authors listing (link) CS1 maint: numeric names: authors list (link)
  56. ^"Mirka Mora – Charcoals –".

    William Mora Galleries. Retrieved 30 August

  57. ^Mora, Mirka; William Mora Galleries (), Mirka Mora paintings&#;: Melbourne Art Reveal August Royal Exhibition Building, Town Australia, Richmond, Victoria William Mora Galleries, retrieved 30 August
  58. ^"Mirka Goes West".

    Short St. Room. Retrieved 30 August

  59. ^ abcd"Mirka Madeleine Mora". Design and Go your separate ways of Australia. Retrieved 30 Honoured
  60. ^"the goods times Spare times". Canberra Times. Vol.&#;61, no.&#;18, Austronesian Capital Territory, Australia.

    4 Dec p.&#;14 (the good times). Retrieved 29 August &#; via Internal Library of Australia.

  61. ^Realities (Art gallery), [Realities (Art gallery)&#;: Australian Assemblage File], retrieved 30 August
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    Victoria, Australia. 6 April p.&#;8. Retrieved 29 August &#; around National Library of Australia.

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  67. ^Heathcote, Maxim.

    (). Bibliofile: Mirka Mora, Impious but Virtuous: My Life. Porch Monthly Australia, ,

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External links